Why Japanese stations play little tunes before trains leave, where the best-known ones are heard, and how this gentle sound culture is changing.
Published October 22, 2026 at 12:44 AM JST | By Tokyo Paul
Quick answer: Many Japanese stations play a short tune, called a departure melody, just before a train leaves. The idea took off in the late 1980s and 1990s as railways replaced harsh departure bells with gentler music, and some stations now have a local tune, such as the Astro Boy theme at Takadanobaba. Melodies are meant to make boarding calmer and are still evolving.
Visitors often notice the sound of Japanese stations before they notice anything else: a cheerful jingle, a soft chime, a calm voice announcing the next stop. These sounds are part of a carefully designed system that guides crowds smoothly through busy platforms. This guide focuses on the melodies and chimes that signal arrivals and departures, explains how the tradition began, introduces some famous local tunes, and shows how the practice is changing. It also offers a few tips for listening on your own trip and a short look at how other countries use station jingles.
A departure melody is a short tune played when a train is about to leave a station, and an arrival melody plays as a train comes in. Reference sources explain the design goal clearly: departure melodies are meant to give passengers a sense of relief after they have taken a seat, while arrival melodies are meant to make people alert.
The sounds are short and repeatable, which suits a system where trains may leave every few minutes. They sit alongside spoken announcements, and together they tell passengers what is happening without needing to look at a sign. Because the signals are so consistent, many commuters respond to them almost automatically.
Before melodies became common, stations used metallic or electronic departure bells. These sounded shrill, rather like alarm clocks, and were widely disliked, especially the ones used by Japanese National Railways. Melodies were introduced as a friendlier replacement.
One of the earliest recorded examples dates to 1951, when Bungo-Taketa Station on the Hohi Main Line reportedly played the song Kojo no Tsuki from a phonograph at departures. The composer, Rentaro Taki, was born in Taketa. In August 1971 the Keihan Electric Railway began using a departure melody composed by Mutsuro Kimura, inspired by a naval academy bugle call, which remained in use until June 2007.
Japanese National Railways was privatized in 1987 and divided into the JR companies and smaller operators, giving local managers more freedom. JR East began introducing melodies in the late 1980s, and they became widespread in the 1990s, especially in the Greater Tokyo Area.
In 1988 the departure bell was abolished at Chiba Station, and in March 1989 melodies made by Yamaha were introduced at Shinjuku and Shibuya. They were promoted as environmentally friendly and as a way to reduce noise. Other companies followed, with Tokyo Metro adding melodies on its Namboku Line in 1991 and Tobu introducing them at Tobu-Utsunomiya Station the same year.
From the late 1990s, stations began to adopt local departure melodies connected to the area around them. This is where the fun begins for visitors, because each tune carries a story.
At Kamata Station, the melody is Kamata Koshin-kyoku, and at Takadanobaba and Niiza, the Astro Boy theme is used. Astro Boy is the famous robot hero created by Osamu Tezuka, and the series is set in the Takadanobaba area. On 7 April 2003, the Yamanote Line platform at Takadanobaba began using the anime's theme music to signal departures, a date linked to Astro's birthday in the story.
Other examples include Yappa Suki Yanen at Osaka Station on the Osaka Loop Line and Sakuranbo at Sakuranomiya. On the Kyushu Shinkansen, melodies by composer Minoru Mukaiya are used, and Kumamoto Station plays an arrangement of the folk song Otemoyan. At several Sanyo Shinkansen stations the Galaxy Express 999 theme has been played since 2016.
Melodies are not only folk songs and anime themes. On the Tobu Line, Ikebukuro uses classical pieces by Mozart and Beethoven, and Utsunomiya uses California Shower by Sadao Watanabe. At Kasukabe, the melodies are theme songs from Crayon Shin-chan. The Toei Mita Line uses Schumann's Melodie and Burgmuller's La candeur on some routes.
This variety shows how stations use sound to express a sense of place. A short tune on a platform can introduce a city, a composer or a beloved character in a few seconds, which makes a quick change of trains feel like a small cultural moment.
Alongside melodies, spoken announcements are a major part of the soundscape. When a train is delayed by about five minutes, the conductor typically makes an announcement apologizing for the delay, and the railway company may issue a delay certificate. This habit reflects how seriously Japanese railways take punctuality, and how much passengers rely on trains running to time.
For visitors, the most useful habit is simply to listen for the station name and the platform. Digital displays, color-coded line symbols and numbered stations help when the spoken language is unfamiliar.
Melodies are not fixed, and the sound of stations keeps evolving. In February 2025, JR East announced that it would gradually replace local station melodies with standard melodies played from the train speakers. The change is linked to driver-only operation and labor needs, and standardization began on the Nambu and Joban Local Lines in March 2025, with other lines expected to follow by around 2030.
Elsewhere, some well-known tunes have had their final run. Hakodate Station's Tabidachi no Kane, which JR Hokkaido used from December 1990 for the Hokuto limited express, was discontinued on 31 March 2024. The best advice for enthusiasts is to enjoy local tunes where they still play and to check current information before building a trip around one.
Japan has a lively group of enthusiasts who record and share station melodies, known as ototetsu, a word that blends the Japanese words for sound and railway fan. Their recordings document tunes that may later change, which helps preserve a small piece of railway culture.
Nippon Sharyo even sold a Shinkansen melody alarm clock in 2002, and its first run of 2,000 units sold out. If you enjoy sound, a simple way to take part is to listen closely on your trip and note which stations have distinctive tunes.
Japan is not the only place that uses station jingles. Denmark's DSB and France's SNCF each use a signature jingle, and Swiss railways use three vibraphone jingles tied to the company's acronym in three languages. In Indonesia, many stations use the Westminster Quarters chime, and some use kroncong folk songs. Singapore began rolling out chimes based on three local tunes from February 2024.
Compared with these, Japan stands out for how many different melodies are used, and for how closely they connect to local identity.
Want to go deeper? Tokyo Paul's book Tokyo Paul's Japan Unrevealed: Japan in Motion is available on Amazon.
Station melodies replaced harsh departure bells in the late 1980s and 1990s. They are meant to be gentler and quieter: departure melodies give a feeling of relief once passengers are seated, while arrival melodies help people stay alert. Many were also promoted as a way to reduce noise.
It is the theme from the Astro Boy anime, played before trains depart from the Yamanote Line platform at Takadanobaba Station. It began on 7 April 2003 and honors the robot hero created by Osamu Tezuka, whose story is set in the Takadanobaba area.
They are changing rather than vanishing. JR East announced in February 2025 that it would replace local melodies with standard ones played from the trains, with the change spreading by around 2030. Some other operators still use local tunes, so check before you travel.
To explore further, see Departure melody, Takadanobaba Station and Astro Boy.
More guides from Tokyo Paul: Takadanobaba: Astro Boy's Station Melody, Train Manners in Japan: A Friendly Guide to Commuter Etiquette and Do Japanese Trains Really Run on Time? The Culture of Punctuality.